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Wedding Dresses 1775-2014 at the V&A
Many girls my age, in their early twenties, were quite dubious when I told them about the Wedding Dresses exhibition at the V&A. Cautious about how interesting it might be at the most, it certainly did not provoke a burst of excitement and enthusiasm about fashion centred around holy matrimony. This can be explained for…
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Making Colour at the National Gallery
Colour is so omnipresent today that we need not worry about having to create it or search for it extensively…in fact, a main concern is rather knowing how not to use too much of it at a time. As a digital artist I can simply open Photoshop and slide a colour wheel around to obtain…
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Paris 1900 at the Petit Palais
There is talk of a recent trend concerning Paris and its Chinese tourists, whose relation may become rocky. Travelling to the capital city with an ideal image of the City of Love in their minds (with Hollywood films and perfume adverts as the first culprits), they are often disillusioned and upset by the gritty reality…
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The Art of Marvel Superheroes at Musée Art Ludique
Marvel superheroes are not, at first sight, the most museum-savvy creatures. After all, their bold and brightly colored designs are more familiar in the pages of a comic book or on the big screen with blockbusters such as Captain America, Iron Man or the Avengers. Yet Musée Art Ludique hardly bothers itself with such labels.…
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Martial Raysse, Rétrospective at Centre Pompidou (Café Powell)
Hello readers! As you may know from my About page I am French and British…which means that French is another language that I love to use when I write about exhibitions I have seen. Having recently joined Café Powell, a French webzine that specializes in cultural reviews, I am glad to say that I am…
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Henri Cartier-Bresson at Centre Pompidou
The long wait in the queue within the Centre Pompidou betrays the exhibition’s immense popularity before I can even enter and see for myself; at any given time, there were about 300 people in the space itself, crowding around the small black and white images that established the French photographer Henri Cartier-Bresson as a lasting…
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Ilya and Emilia Kababov, The Strange City at the Grand Palais – MONUMENTA 2014
Museums have always been compared to churches: a sacred sphere in which contemplation, hushed voices and a slow, ambling pace around works to admire or ‘worship’ them is familiar. There is something ritualistic in the way in which we walk around an exhibition space following a specific route. And although being asked to quieten down…
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Claire Mead 